Fragile from the heaviness

Fragile from the heaviness. October 2024, Kuldiga 

During the residency in Studija Space, I focused on working with local materials. Immersed in Kuldiga, most of my works were related to the preserved landscape. I aimed to create pieces that reflect the passage of time and geology. Inspired by Tim Ingold's book “Making: Anthropology, Archaeology, Art and Architecture,” which seeks the connection of these disciplines and how we can perceive and experience the world through the lens of making. With my work I was exploring to reveal the layers of elements that make up the environment, particularly the river and its banks. I titled this experience "Fragility from the heaviness" to capture the idea of becoming more fragile after enduring too much, like bent trees after strong winds. Some of my works were small-scale landscapes fixed to cellular concrete blocks, placed on wooden boards, and set on wheels to create moving images , capturing the fluidity and change of nature. 

Fragile from the heaviness. October 2024, Kuldiga During the residency in Studija Space, I focused on working with local materials. Immersed in Kuldiga, most of my works were related to the preserved landscape. I aimed to create pieces that reflect the passage of time and geology. Inspired by Tim Ingold's book “Making: Anthropology, Archaeology, Art and Architecture,” which seeks the connection of these disciplines and how we can perceive and experience the world through the lens of making. With my work I was exploring to reveal the layers of elements that make up the environment, particularly the river and its banks. I titled this experience "Fragility from the heaviness" to capture the idea of becoming more fragile after enduring too much, like bent trees after strong winds. Some of my works were small-scale landscapes fixed to cellular concrete blocks, placed on wooden boards, and set on wheels to create moving images , capturing the fluidity and change of nature. 

Fragile from the heaviness. October 2024, Kuldiga 

During the residency in Studija Space, I focused on working with local materials. Immersed in Kuldiga, most of my works were related to the preserved landscape. I aimed to create pieces that reflect the passage of time and geology. Inspired by Tim Ingold's book “Making: Anthropology, Archaeology, Art and Architecture,” which seeks the connection of these disciplines and how we can perceive and experience the world through the lens of making. With my work I was exploring to reveal the layers of elements that make up the environment, particularly the river and its banks. I titled this experience "Fragility from the heaviness" to capture the idea of becoming more fragile after enduring too much, like bent trees after strong winds. Some of my works were small-scale landscapes fixed to cellular concrete blocks, placed on wooden boards, and set on wheels to create moving images , capturing the fluidity and change of nature. 

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    Fragile from the heaviness. October 2024, Kuldiga 

    During the residency in Studija Space, I focused on working with local materials. Immersed in Kuldiga, most of my works were related to the preserved landscape. I aimed to create pieces that reflect the passage of time and geology. Inspired by Tim Ingold's book “Making: Anthropology, Archaeology, Art and Architecture,” which seeks the connection of these disciplines and how we can perceive and experience the world through the lens of making. With my work I was exploring to reveal the layers of elements that make up the environment, particularly the river and its banks. I titled this experience "Fragility from the heaviness" to capture the idea of becoming more fragile after enduring too much, like bent trees after strong winds. Some of my works were small-scale landscapes fixed to cellular concrete blocks, placed on wooden boards, and set on wheels to create moving images , capturing the fluidity and change of nature. 

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Sous-face du paysage

2022

Limestone, steel, pastel

exhibition view : Souvenirs de Mesa Lendit, 6B, Saint-Denis

derrière : Halldora Magnusdottir, Reproverse, 2022

derrière : Halldora Magnusdottir, Reproverse, 2022

derrière : Halldora Magnusdottir, Reproverse, 2022

derrière : Halldora Magnusdottir, Reproverse, 2022

derrière : Halldora Magnusdottir, Reproverse, 2022

derrière : Halldora Magnusdottir, Reproverse, 2022

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    derrière : Halldora Magnusdottir, Reproverse, 2022

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    derrière : Halldora Magnusdottir, Reproverse, 2022

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Still life

2022

Wool, oak

Untitled II

2022

Limestone, acide

Matrioshka brain

2021

Aluminium cast

130x60cm

Ode mécanique

2021

Limestone, acid, IPN

(h)altère

2021

Wool from Solčava

165x120x6cm; 180x120x6cm

Drying dry weight

2021

Tuff, steel

100x180x30cm

Souvenirs de la mer il y a 300 millions d'années

2021

Limestone from Ireland, sand bag

57x64x45cm

Fall interval

2021

Limestone from Comblanchien, steel, marking paint

Svalka (junkyard in Russian, freshness in Swedish)

2019

Steatite (soapstone),wrought iron, variable dimensions

Submerged in a Lullaby

2018-continuously

Bronze, aquarium 80x35x25cm 

Zinc, aquarium 102x15,5x39cm

Steel, aquarium 20x20x20cm

exhibition view: Tempsification de l'espace

exhibition view: Tempsification de l'espace

exhibition view: Tempsification de l'espace

exhibition view: Tempsification de l'espace

In transit

2019

Sandstone, acid, stainless steel, wheels

The Nest

2018

Limestone, marble

exhibition view: tesselles//pixels, the Louvre Museum, Paris

Untitled I

2017

Marble, tatami, photograph

exhibition view: The Whole and The Part, former Tani house, Suki festival, Tokyo

Couche cornée III

2016-2017

Carved slate

installation: Université Rennes 2

Attempts

2016

Traced stones

exhibition view: TECHNAE, Hôtel Pasteur, Rennes

Bored blocks

2017

Limestone, wood

Dissection of lithops

2016

Kersantite, limestone

exhibition view: Project room : Clélia Berthier, Paoline Prioult & Darta Sidere, Galerie Art&Essai, Rennes

Kā akmens

2016

Sanded stones

exhibition view: here&there, Kuldiga Artist`s Residence

 

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